A KnoxCAM Kind of Day…… Northeast Prison in Mountain City…….

Written by KnoxCAM Choir Member Lee Coffman

“The inmates came out covered in blood, and the guards had blood all over their shirts.” The guard who told us that a fight had broken out after dinner told us “Prison makes me bitter”- So – unit 11 wouldn’t be coming to our KnoxCAM concert. Would anyone get to come? Assessments had to be made. Was it safe to have the concert? 

We’d already been waiting an hour to begin. A 2 1/2 hour trip home was facing us. Would we ever get this concert done?

But Jill got up, rallied us to pray for the prisoners and the guards, and asked that, if it was His plan, we could present His story to the inmates. In a few minutes, a trombone began playing ‘Edelweiss’, the pianist joined him, and Denise and I couldn’t help but start singing, and then the rest of the choir was singing. Another song began, then hymns, with the flutes joining us. I looked around with tears in my eyes – I didn’t know some of the Baptist hymns, so I wasn’t singing ? – and I thought what a glorious evening- my very first jam session, and one with an orchestra, no less!

The concert was on! Time to give out the programs. Over 100 of those signed up came in, smiling, happy to be there, looking for a friendly hand to shake, and ready to hear the story of Lazarus – the story of the ultimate 2nd chance. The actors, the dancers, the orchestra, and the choir ‘left it all on the stage’, as Jill would say. We wanted to share this story with them, and they were anxious to hear it. One man said, “The best thing that happened here last year was your concert. I’ve been waiting all year for you to come back!” 

We’re on our way home. It’s later than expected, but we go home with an amazing example of how God meets you wherever you are, and provides blessings you could never imagine. We’re doing our concert for those not ‘on the inside’ on Sunday, May 5th, at Cedar Springs at 7p.m. Come see the story of the man who had the ultimate 2nd chance – for truly, he is every one of us…..


KnoxCAM Visits Northeast Correctional Facility on January 21, 2017

KnoxCAM visited Northeast Correctional Institute in Mountain City this past Saturday. We faced some challenges leading up to the trip, including the last-minute loss of our scheduled speaker and an actor who came down with a stomach virus on the morning of the concert. Similar challenges occurred before this concert last year. We think God is working mightily at Northeast! And, as last year, He met us every step of the way. He is greater than any arrows the enemy tries to hurl at us!

Joe is the actor who replaced our ill member (and who did an outstanding job filling the role holding a script) emailed me his thoughts after the concert. They are humble, insightful, and so uplifting. Please read below for a glimpse into how God continually meets our needs:
“There’s a familiar cliche in theater that “the show must go on” regardless of circumstances or unforeseen events. And today I think we all, together, managed to deliver a powerful performance, despite significant challenges, that was a blessing to many of the men who attended based on the conversations that I heard when we were finished.
 
But KnoxCAM isn’t a show. It’s a ministry. And it “goes on” not because of what we bring to the table, but because God wills it. Everyone in the group is wonderfully gifted. Blessed, in fact. But as Abraham learns in Gen. 12, we are blessed to be a blessing. We serve at God’s pleasure and direction. God called Scott to be elsewhere and called Fred to deliver the message instead. The message Fred delivered was the one God intended for the men of Northeast to hear. Caleb was sidelined by a sudden and unexpected illness. I think God intended the men of Northeast to hear the Unchained story from the perspective of a father/daughter relationship, and I was thrilled to have a chance to make that happen by taking Caleb’s place.
But the victory was won because we ALL answered the call. It’s flattering to be complimented personally, but EVERYONE was working together, supporting each other, united in the calling that is KnoxCAM. My fellow actors and dancers, especially, were 100% supportive, encouraging, and committed. Choir, bells and orchestra soared. John on the sound board ensured that everyone could hear it. We made something great together, as one body.
 
I know people were praying for us, and God honored those prayers to accomplish His will in the lives of the men who attended. I was honored and humbled to a part of it.
 
In closing … It was fun to play Simon, but once is enough. Caleb: get well soon! :-)”

Being “For” Each Other: A Conductor’s Lesson

I learned (or relearned) a humbling lesson at the KnoxCAM concert at the women’s prison in Nashville last Saturday.

During the concert I felt distracted by changes in the orchestra sound due to the absence of a member who had to work; and by the challenges of keeping us all together in a gym full of echoes. I made some silly conducting mistakes that I fervently hoped wouldn’t confuse the orchestra (our excellent players kept up just fine, despite my errors).  I felt a general sense of disconnection, observing what was happening rather than entering into the emotional “flow” of the concert, and wondering if I was a hypocrite for conducting what I wasn’t feeling.  When it was over I prayed, “Thank you, Lord, for getting us through this one.”

I was glad to sit down and hear soprano and Lutheran pastor Ingrid bring a message to the women, a message full of God’s grace and peace.  Our concert and her message were about the birth of Christ; I felt the holy quiet of Christmas Eve descend on the room as she spoke.  It was utterly silent, the women utterly still, their eyes locked on her.  Three women came forward at the end to re-commit their lives to Christ.  Ingrid prayed with them while the prison chaplain prayed FOR them and the rest of the women.

The first KnoxCAM member I saw afterwards was Marti, a handbell player.  She said, “Well, I think that was one of our best ones ever.”  I thought, “Really??”  I was genuinely surprised but thankful her impression was different than mine.

Our bell director Paula said, “I can always tell how things are going by the way you look; and you looked so joyful.  This was a spine-tingler for me.”  Joe, another bell player, said, “The actors brought tears to my eyes today.”  Sam our cellist said, “I’m always worn out after a concert, and it’s not from physical exertion.  I think it’s from the intensity of the emotion and concentration.”  David, a singer, said some generous things about the way he felt me communicating with the choir, ending with, “You are FOR us.”  (I again wondered if I were a hypocrite.)

The Chaplain spoke with enthusiasm and thankfulness about how quiet and attentive the women were.  Two of the prisoners who helped us set up (and served us homemade strawberry bread and blueberry muffins baked by women in the prison culinary arts program) told us how the women whose cells face the gym watch all morning for our coming:  they watch us trundle in our truckload of equipment; they watch us troop across the courtyard like a large flock of blue and black birds.  They say their first blessing is just seeing us arrive and knowing we have come for THEM.  (Out of 600 inmates who are eligible to receive visitors, we were told only 45 have people who visit them regularly.  Heartbreaking!)  The new warden, who has only been there a week, took group photos to post on the Department of Corrections website.

Everyone seemed thrilled with the concert – except me.  I didn’t think we had done a poor job.  I actually thought we had done a good job (from a technical standpoint); it just wasn’t “good” for me emotionally.  As we were leaving, I said to the group, “This was a harder concert for me; I’m glad the way God works doesn’t depend on the way we feel.”

On the way home I thought about all that had happened, and I was suddenly brought up very short by the painful recognition of my own self-centeredness.  (Perhaps you will say I am still dwelling on myself by even writing this article, and perhaps you will be right, I don’t know.)  Despite what I had said to the group about God’s work not depending on our feelings, I was in fact measuring the “success” of the concert by my own perceptions. I sensed God saying to me, “It’s not your job to convey how you are feeling; it’s your JOB to convey the meaning of the music to the group.  It’s a wonderful gift if you are also feeling as joyful as the story, but really, how you are feeling has nothing to do with it.  Will I be enough for you, even if you don’t feel that wonderful emotional flow?”  I KNOW this – but how easily I forget!  Forgive me, Lord, and thank you for reminding me!

David had said, “You are FOR us.” (Humbling, humbling – I ALWAYS want to be FOR the group, but I had focused on myself instead, even wondering if I were a hypocrite – insidious lies of Satan.)

I think the reverse of what happened to me can also be true:  we can assume God is working through a given concert if we feel good about it.  The truth is, it’s always dangerous to judge by our own emotions; our job is to create a concert that will resonate with the prisoners, to prepare ourselves and perform to the best of our ability, and then humbly to recognize that GOD is the one who does the work and is in charge of results.

And we do see Him working:  in the rapt attention of the prisoners; in the men and women who recommit themselves to Christ or trust Him for the first time; in the letters of thanksgiving and testimony we receive afterwards; in the positive feedback from chaplains and wardens; in the invitations to return again and again.

As I re-read what I have written, I am struck by how often I have talked about the concept of being “for” others:  the women are so excited that someone is coming into the prison “for” them, and they are “for” us by treating us as honored guests; the chaplain prayed “for” all the women in attendance; God, through David and others, reminded me again that my job as conductor is to be “for” the group.

This is a beautiful lesson for all of us.  My prayer for us is that we will ALL be FOR each other, not dwelling on our own feelings, but rather on this holy story we have the privilege of telling; and on encouraging each other every moment to boldly proclaim that message; not trusting or judging by our own feelings – or even mistakes – but with joyful desperation totally ENTRUSTING ourselves to God alone to do His work.

 

 

 

 

 

Joyful Desperation

All of us in KnoxCAM were very aware of God’s presence at our concert at Northeast Prison in January.  Since that concert, I have been pondering why we were so aware of Him on that occasion while being less aware on some other occasions.  I think He is always present where Christians have gathered and earnestly and humbly desire to worship Him; if we don’t always notice His presence, perhaps it’s because we haven’t intentionally attuned our hearts and spirits to the idea of “expectancy” – of expecting Him to show up and work.

Not expectancy in the sense that I used to say to our daughter when she was in middle school, “I expect you to have your room cleaned up by the time I get back from the grocery store!”  Rather, in the sense my husband and I have now that she is an adult living in another city:  when we know we are going to see her soon, we are full of eager anticipation and expectancy about the sheer joy of being with her again.

Our clarinetist, Hal, shared with one of his friends the many challenges we faced leading up to our Northeast visit and the strong presence of the Holy Spirit we and the men present that evening experienced during our concert there.  His friend said, “It’s because you were desperate.  You knew you had to depend on God.”

Before our concert last weekend at the Bledsoe Prison men’s units, we prayed that God would fill us with the “joyful desperation” of utter dependence on Him to share His message of love and salvation with the prisoners there; and that we would notice how He was working.  We were as excited as children to see what He would do.  He was there, and we knew it because we were focused on Him.  We worked as one, unified throughout the concert by His Spirit.  Those who could see the faces of the men in attendance said they sat in rapt attention, some with tears streaming down their cheeks.  Many stood afterward to rededicate their lives to Christ or to trust Him for the very first time.

A young prisoner said to me after the concert, “You all do more than you know.  You lifted hate from my heart tonight.”  I don’t know his story, probably never will.  I do know that GOD did more than we knew that night, working in the hearts of these men in ways we will learn about with joy when we all reach heaven.  We returned home rejoicing with hearts full of thanksgiving over His working.

As we intentionally cultivate an attitude of joyful expectancy and desperation, we enter a beautiful circle of anticipation, participation, noticing, rejoicing with thanksgiving, returning finally to anticipation of the next time.

It’s easy this time of year, when we are doing the same concert for the sixth or seventh time, in a prison we have visited many times, to be tempted into complacency by the familiarity of it all.  May God forgive us when we give in to such temptation!  Every time is a new opportunity for Him to work in us and through us and in the hearts of the men and women we serve.  May He continually renew our joyful desperation to proclaim Christ as we intentionally wait in eager expectation of what He will do!

 

 

The Blessings of Working with an Older Singer

Yesterday I had the joy of seeing Harry once again take joy in singing.

Harry is one of the older baritones in the KnoxCAM Choir.  He has an unusually beautiful voice, one of the most beautiful I have ever heard.  But he approached me last week saying he was feeling discouraged, that his voice just wasn’t like it used to be, that he didn’t like his vibrato or the way his voice sounded.  He was considering not continuing to sing.  I asked him to come for a lesson and let me hear what was bothering him.

Harry is a delightful man.  He is kind, he talks easily, he has a big smile for everyone.  He is very active physically and loves to be outside.  He didn’t start singing until he was 35, at which time he began studying voice and doing choral and solo work in community choirs.  He sings on a very skilled level, and he knows the vocabulary of the voice.  He is a quick student, immediately able to relate things I suggested to things he had learned from previous teachers.

At his first lesson, we discovered right away that he had gotten into some poor breathing habits, raising his chest and tensing his shoulders with every inhalation.  We worked on a lower, more relaxed breath, and he could easily see in the mirror when he was doing it right and wrong; but consistency was a challenge.  We also worked a little bit on connecting his head voice to his chest register, which helped stabilize his intonation and vibrato to some extent.  I told him that his voice is different now than it was when he was a young man, but there are definitely techniques he can work on to improve the still-beautiful voice he has. He left feeling somewhat encouraged but still wondering if he would really be able to improve.

Yesterday was the big breakthrough.  He returned breathing correctly with much more consistency and feeling much more comfortable about doing so.  As he sang, we became aware of his throat tightening on lower notes.  We began to talk about keeping the throat open and relaxed, not “pushing” the sound out.  He immediately remembered his former teacher had worked with him on the “bel canto idea of drinking in the sound” (his words – remember I told you he knows the language of singing) because, he said, his tendency is to attack and conquer.  This opened up a discussion about singing as relaxing, as letting go (something foreign to his activity-loving nature), of letting the breathing muscles do their job and keeping the body free rather than “set.”

I suggested he swing his arms as he sang.  He moved them back and forth very deliberately.  I asked if he would allow me to hold his upper arms and move them for him, which he was glad to do.  He immediately felt the arm tension, and was just as quickly able to release it and enable me to swing his arms freely.  He then was able to do it himself, with amazing effect on his tone.  His vibrato ceased to be a wobble, and his resonance was beautifully balanced.  That’s when he began to smile.  He said, “That sounds like I used to.”

We found that he could descend to his lowest notes with excellent balance of tone on the /i/ vowel.  We worked first on creating a taller, less spread /i/ sound and then used it as a barometer to match /o/ and /a/ vowels down to his lowest notes.  He quickly realized that he didn’t need to open his mouth much on the bottom and could easily match vowels and create a beautiful sound by changing tongue position while maintaining interior space.  Frequent reminders to “drink in the sound” and the continued arm-swinging kept his body free.  He said he felt as if he wasn’t “doing anything” but the sound made him so happy.  He was astounded that such a sound could emerge when everything felt so easy.

Lastly we worked up to his higher range, using ascending/descending 5-note scales on /i/ changing to /a/ after the first two notes.  He has great tongue and jaw position, very relaxed, with a natural openness as he ascends.  Continued reminders of “watch your breath,” “no pushing,” and “drink in the sound” enabled him to ascend to a-flat with a gorgeous, free tone.  He was thrilled to go so high (when I asked him what note he thought he had sung, he said “f”), and again was amazed at how easy it felt.

Next week we are going to begin applying some of his new knowledge to his part in the choir music.

He left beaming.  He said, “I was going to quit.  I had prayed about it, but now I feel like God wants me to keep singing a little longer.”  I asked him how old he is and was astounded when he said 76.

I left beaming too.  What a joy, what a blessing, to see joy return to Harry’s face and to his singing.

Blessed by Prisoners at Morgan County

KnoxCAM is making a new informational video about what we do.  Kevin Wines, one of our actors, and also an expert film-maker is putting it together.  Today he and I had the blessing of going to Morgan County Prison and doing video interviews with two of the inmates about the impact KnoxCAM has had on their lives.  As always, the prison staff were wonderful to work with, and we are so grateful they allowed us this opportunity.

The men talked about how, at first, they were confused about who we were and why we were there.  They thought we might be paid to come.  When they figured out we were there out of love and a desire to minister, it was overwhelming to them.  They kept saying how much it meant to them that we would choose to spend time with them.  Ricky said you could tell when people come in to minister because they know they are “supposed to” versus because they really want to; he said it was easy to see that we really want to be there and stressed again how much that means to them. Christopher said he has noticed it often rains when we are there, and how it doesn’t matter to us; we trundle ourselves and all our equipment through whatever kind of weather it is.  He said he had been attending worship services in a half-hearted manner, really just for something to do, until he attended our concert.  As a result of our being there he realized how much he needs Jesus, and he committed himself to getting serious with the Lord.  He also wrote to his children about what we had done, and as a result has gotten much closer to them than he was before.  They urged us to keep coming back and said what an encouraging thing it is to be reminded of how God is working even in prison.

What a joyful and humbling experience!  There’s lots more, but you will have to wait for the video!

What is success?

I’m an engineer by trade, which means that my life consists of a constant barrage of questions that normal people consider to be neurotic. “What’s wrong with this? When can you have it fixed? Why can’t you have it fixed sooner? Why did this go wrong? What should you have done to prevent it from going wrong? Why didn’t you pay attention to see that it could go wrong and do something about it before this happened?” The underlying assumption behind all the questions is the same: the outcome isn’t what it should have been; it’s all your fault, and you can do better.

Here’s my dilemma. KnoxCAM comes into facilities once a year, we do our little dance, sing our little songs, pack our things, and then leave. I don’t know how many inmates (if any) come to Christ, but if even one doesn’t, the questions start, as well as the assumptions that go along with it. We (I) weren’t outgoing enough. We (I) didn’t smile or have the proper demeanor. The material was shoddily done, etc.

What’s even worse is the knowledge that, no matter how hard I try, there are some factors that I have absolutely no control over. Some men are there just to see the goofy people who’ve come to play the great white hope, and they want some amusement at our expense. Some can’t think of anything better to do, so they come to get out of their cells for a little while. The infernal ballasts in the gyms hum so badly that everyone has trouble hearing what’s going on, and the sound tech pulls out what’s left of his hair. Some facilities won’t even let us speak with any inmates after we finish for security reasons. No matter which one happens, and it’s usually more than one, the voices start. “You incompetent dolt, they’re going to hell, and it’s your fault…”

At times like these, I have to re-adjust my definition of success. The world defines success as “getting things done”. (Seriously, that’s one of the “core values” at my job.) We want numbers. Make that widget work, crank out that product, “grab that cash with both hands and make a stash” (Roger Waters). That’s not God’s definition of success. God calls people successes that the world regards as absolute failures, and vice versa. Moses spent forty years in self-imposed exile, having thrown away all the prestige and power of Egypt to herd sheep in the middle of nowhere. Jeremiah is the Bible’s version of the Greek legend of Cassandra, always prophesying truth, but never believed. Most of the apostles died horribly painful deaths at the hands of the most powerful empire the world had ever seen up to that point, which couldn’t care less about some hick rabbi from the middle of nowhere, as long as you affirmed that Caesar was a god.

Mother Theresa summed it up by noting that God calls us to be faithful, not successful. The Old Testament saints all died looking forward to the promises of God, but having little clue how they would be fulfilled. Time and time again, God calls his people to do things that the world regards as silly for people the world regards as worthless. Who knows how it will turn out? I don’t, and I don’t have to. I just have to be faithful. I worry about results too much. That’s the business of the Holy Spirit. The Bible is chock full of incompetent dolts whom God uses to do amazing things.

You could say that prison ministry is an insult to my world-reinforced arrogance. I suppose that it is, but I prefer to think of it as a much-needed dose of sanity. Pretending to be omnipotent is exhausting.

Beauty and the Gospel

Knoxville has an unfortunate moniker as a “scruffy little city”. In short, we’re ugly. For Pete’s sake, we were spoofed in a “Simpsons” episode.

As if that wasn’t enough, we in KnoxCAM go into some ugly places. Prisons are designed for utility, not aesthetics. The overriding goal is to keep the inmates in. Homeless shelters, even if they start out beautiful, often end up scruffy and run down. The same goes for nursing homes. The smell can sometimes be overpowering. All of the residents in all three places would rather be somewhere else.

From a certain perspective, the modern world would say, “What’s the problem? They have three square meals a day, clothing and shelter.” The problem is that man, in addition to needing his physical needs met, also has spiritual needs. Too many Christians interpret this as just a simple offer of a truncated gospel, the gospel of being saved. Granted, the New Testament tells us that we need to be saved from our sins, but that’s only part of the story.

Russian novelist Fyodor Doetyevski once wrote that, “God will save the world through beauty.”  Would we describe it that way, or do we get so caught up in the legal aspect of salvation that we forget to focus appropriately on beauty?

This isn’t a call to be art snobs. Beauty can be simple. Man needs beauty, and beauty is a reflection of God. The supreme beauty is in the finished work of Christ, but he leaves hints throughout his world, especially this time of year, when our region explodes in color. He leaves hints in fine music or in works of the great masters.

Our culture has its own notions of beauty – take a look at our magazines. Some deny that it even exists altogether, that all that’s left is art – if it can be called such. Much of “modern art” confuses or revolts us, and with good reason. It’s no accident that communist buildings were drab and ugly, all painted in the same shade of gray. They flowed from the same source – an asthetic that denied that there was anything or anyone beyond us.

People in prisons, homeless shelters, and nursing homes know better instinctively. Perhaps we can’t offer the gospel explicitly, but we can meet their need for beauty. It’s just as real – and in these “beauty deserts” – perhaps more pressing than a cup of cold water.